bert wrote: ↑Thu Nov 28, 2019 7:48 pm
I watched the first half, but need break from the boredom
It starts with a soundtrack that never seems to stop. I thought it sucked, Pacino to me was a surprise, I thought he did a good Hoffa. Same type of stuff from his past movies, DeNiro sucks, Pesci is good. The plot is stupid.
They try throwing in every historical person in mob history, Harvey Keitel as Angelo Bruno is the worst casting in the film.
I love Harvey Keitel. His and Pesci's performance was the only thing I liked.
If I had to rate the film I'd give it a 3.5/5.0. Besides some technical (and obviously factual things), the story wasn't cohesive. By that I mean that we're supposed to care about his relationship with his daughter and it wasn't teased out enough for me to care.
For example, it made no sense that this guy would've brought his young daughter with him to the grocery store so he could beat the crap out of the guy who pushed her. Why would that be the thing that made her start to question her father? I don't know if it's true or not (other than if he wrote it in the book which I didn't read), but the point is that the relationship between the two wasn't established enough in the movie for me to care.
The ending was horrible and that goes along with that there was nothing that made me care that he had to live his life alone at the end and had isolated everyone. I just didn't care. In fact, all the relationships seemed superficial.
In addition, the relationship between Hoffa and the girl was weird and it seemed to touch on, but didn't go there completely, that there was some sort of romantic relationship between them.
As far as the other stuff, I mean if you're going to portray Joe Gallo into this film, why wouldn't you have put that big mole on the actor's face? That bothered me.
I didn't care for it. In fact, I almost felt like Scorsese was making a mockery out of the book and the ridiculousness of many of the things in the book such as this guy killing Gallo and Hoffa because if you look at the scene at Umberto's it was almost comical the way DeNiro did his thing.